We read ‘Crowded’!!! What did we think about this epic book from Image Comics?! Find out!
Ten minutes in the future, the world runs on an economy of job shares and apps, including Reapr: a crowdfunding platform to fund assassinations. Charlie Ellison leads a quiet, normal life until she’s suddenly targeted by a million-dollar Reapr campaign. Hunted by all of Los Angeles, Charlie hires Vita, the lowest-rated bodyguard on the Dfend app. As the campaign picks up speed, they’ll have to figure out who wants Charlie dead before the campaign’s 30 days—or their lives—are over. From Eisner-nominated writer CHRISTOPHER SEBELA (Heartthrob, We(l)come Back, Harley Quinn), RO STEIN & TED BRANDT (Captain Marvel, Raven: The Pirate Princess), TRIONA FARRELL (Runaways, Mech Cadet Yu), and CARDINAL RAE (BINGO LOVE, ROSE).
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Christopher Sebela is a two-time Eisner-nominated writer, designer and publisher living and dying in Portland, Oregon. He’s the co-creator of Crowded,
Shanghai Red, High Crimes, House Amok, Heartthrob, We(l)come Back, Dead Letters, Short Order Crooks and The Death Defying. He also
writes things in other peoples’ sandboxes sometimes. He is catnip for weirdos, father to a blockheaded dog named Zola, drinks toxic amounts of
coffee, watches found footage horror movies and sure loves writing about himself in the third person.
Image Comics is an American comic book publisher. It was founded in 1992 by several high-profile illustrators as a venue where comics creators could publish their material without giving up the copyrights to the characters they created, as creator-ownedproperties. It was immediately successful, and remains one of the largest comic book publishers in North America. Its output was originally dominated by superhero and fantasy series from the studios of the Image partners, but now includes comics in many genres by numerous independent creators. Its best-known series include Spawn, Savage Dragon, Witchblade, The Darkness, Invincible, The Walking Dead, Saga, and Chew.
In the early 1990s, comics creators Erik Larsen, Rob Liefeld, and Jim Valentino had dinner with Malibu Comics editor-in-chief Dave Olbrich. Malibu was a small but established publishing company sympathetic to creator-ownership, and Olbrich expressed interest in publishing comics created by them. These and several other freelance illustrators doing popular work for Marvel Comics were growing frustrated with the company’s work for hire policies and practices, which they felt did not sufficiently reward the talent that produced them, as the company heavily merchandised their artwork, and compensated them with modest royalties.